It’s hard to improve upon a tradition of near perfection, but that’s exactly what the Huntington High School pit orchestra managed to at last weekend’s school musical.
Every great acting performance deserves the cheers of the theater crowd and at least a few bows and there were plenty of both at last weekend’s Huntington High School drama club spring musical.
They might not get their names put up in lights, but the Huntington High School stage crew plays a vital role in the annual fall and spring drama club productions. Without the group, it would be impossible to produce the type and quality of shows to which local theater-goers have grown accustomed.
The curtain will go up three times this weekend for the Huntington High School drama club’s production of the delightful musical, Thoroughly Modern Millie.
Huntington High School drama club members are quite pleased with how last weekend’s production of William Marchant’s The Desk Set unfolded and the audience’s reaction to the show.
Huntington High School drama club members will take the stage this weekend for three shows of the group’s production of William Marchant’s comedy, The Desk Set.
The Huntington High School drama club will stage a production of William Marchant’s romantic comedy classic The Desk Set this fall. Auditions will be held shortly after classes begin in early September with rehearsals to follow. The curtain will go up for three separate performances on November 2-3.
“The Masque,” as Huntington’s drama club was known for many years, was first organized in the fall of 1928. “The original purpose of this organization was to develop individual talent in expression and artistic ability,” according to the 1931 edition of The Huntingtonian, the high school yearbook.
The early club was led by teacher Julia E. Vail, a graduate of Ithaca Conservatory. In addition to the study and practice of acting, Miss Vail held discussions on music, the art of make-up, book reviews and the merits of European and American theatres.
In 1929, months after being formed, the club invited the community to a three act comedy called “The Youngest.” At the time, the club had a policy of presenting a single play a year. In 1930 the production was the fantasy “Prunella.” “Both of these plays were received by the students and the townspeople with acclaim,” states the 1931 yearbook.
The Masque’s symbol was “an Oriental face cut into the semblance of a charm with the letters HHS across the top,” according to The Huntingtonian. Students qualified for the charm by participating in a play production or selling at least a dozen tickets to one.
After the old high school building on Main Street closed and the new one opened at the intersection of Oakwood and McKay roads, the club name Masque disappeared and was replaced by simply Thespian. Eventually, the leading performers were nominated for membership in the National Thespian Society, the honor group for drama participants. The top Thespians teamed up with other students to stage their own production each spring and they supervised the annual Play Festival, which continues to this day.
The Masque of yesteryear is now simply known as the drama club. It stages a pair of productions each year, including a musical. There are still plenty of students eager to challenge and express themselves as each role requires.
A graduate of John Adams High School in Ozone Park, Queens, Michael Schwendemann, or “Schwendy” as most students know him, earned a BA at CUNY-Queens College in communication arts and sciences and drama, theatre and dance. He obtained a Master of Fine Arts from the University of Alabama.
Mr. Schwendemann worked as an adjunct faculty member at Long Island University-C.W. Post College in the department of theatre, dance and film from 1996 to 2001. He was in Huntington during parts of 2001-2003 performing outreach for the National Shakespeare Company, but he never envisioned himself as a Huntington teacher.
“It was luck that landed me at Huntington High School,” Mr. Schwendemann said. “I was actually offered a job at Bay Shore High School, where I was student teaching, but the teacher I was to replace changed his mind about leaving. Nina Wolfe, the chair of the English department felt terrible and secured me an interview at Huntington. The rest, as they say, is history!”
Mr. Schwendemann began working full-time at Huntington High School in January 2003 and quickly became a student favorite. He has taught freshmen English along with the elective classes Holocaust in Literature, Bible as Literature, Multicultural Literature, Public Speaking and Theatre Arts.
“I can’t imagine teaching any place else,” Mr. Schwendemann said. “From day one I was accepted into the high school community. I love my colleagues and most of all the kids. Some days they make it hard to love them, but that passes quickly. The support I have received from all parts of the administration is unparalleled.”
Mr. Schwendemann has graced the stages of the Alabama Shakespeare Festival, where he worked with Michael Emerson and Norbert Leo Butz, the Roundabout Theatre Company, The Folger Shakespeare Library Theatre with Allison Fraser, The Fringe Festival, Genesis Repertory Theatre and The New York City Opera. He is currently a member of the Airmid Theatre Company with whom he recently performed two shows of Susan Glaspell’s “Trifles” starring Margaret Colin at the newly renovated Suffolk Theatre in Riverhead.
As the faculty advisor to Huntington’s Class of 2006 and Class of 2010, Mr. Schwendemann maintains fond memories of those particular groups of graduates.
The drama club continues to energize the veteran educator. “The club has given me more happy memories than I can count,” Mr. Schwendemann said.
Modern Drama trains audiences for contemporary theatre. Through the examination of plays and the possibility of attending performances, students are brought to the awareness that audience plays a crucial and critical role in bringing a play to life. A final research project is required. Beginning with the 2015 – 2016 school year, this course is no longer NCAA approved.
This highly popular course develops students’ skills in theatrical performance. Through improvisation and scene work as well as study of theory and utilization of games and exercises, students explore their potentials as actors, gain poise and self-awareness. Students must keep an Actor’s Journal. Students will take children’s theatre scripts off the page and onto the stage. A final project will require students to perform within the school district a performance complete with costume, lighting, set and sound design. The creation of a study guide for intermediate and middle school teachers is also required.